Inspired on the Almendres megalithic enclosure, a new monument is born in Alentejo: between Aljustrel and Odemira, the people of Tamera is recreating, with elaborated symbols carved on the stones, a comunity around a circle of stones and ideas.
Thursday, March 15, 2007
Wednesday, March 14, 2007
Rebuilding a monument

Newgrange

Newgrange

Gavrinis

Petit Mont d'Arzon

Petit Mont d'Arzon

Table des Marchand

Table des Marchand
Restoring a megalithic monument, with its mound, is not an easy job. Newgrange (Ireland), Gravrinis, Petit Mont d'Arzon, Table des Marchand (Brittany) make us wonder about Anta Grande do Zambujeiro.
Saturday, March 10, 2007
Estátuas-menires

O "menir" 2 das Lajes (Évora): monólito com cerca de 1, 70 m, evidenciando um cinto, em baixo-relevo. Estátuas-menires do Sul de França, com vários atributos antropomórficos, incluindo cintos.
Friday, March 09, 2007
Megalitismo alentejano contemporâneo




Arte rupestre e megalitismo, na parede do Café Lusitânia (o antigo Café Arcada).
O painel foi inaugurado no início de 2003, na mesma altura em que decorria em Évora, no Forum Eugénio de Almeida, um Colóquio Internacional sobre Arte Rupestre e Megalitismo (Sinais de Pedra). Por coincidência.
É curioso que o artista (António Mira) se inspirou claramente em temas da arte rupestre e do megalitismo da Europa ocidental, embora sem ter representado nenhum dos motivos alentejanos, de que actualmente, se conhece um número muito elevado (com a descoberta do Complexo Rupestre do Alqueva e o estudo das gravuras nos menires).
Outro aspecto curioso é que, a par de réplicas de gravuras, o escultor usou igualmente, como se fosse um símbolo, a planta de um grande monumento megalítico funerário (tipo Barnenez). Building symbols...
Wednesday, March 07, 2007
Recurrent symbols
Friday, March 02, 2007
Thursday, March 01, 2007
The hidden faces of the stones



Cup-marks on a small outcrop, close to the tallest dolmen in the world (Anta Grande do Zambujeiro). Between the cup-marks and the dolmen (and beneath this one), a neolithic settlement has been identified.
This situation ( a burial monument overlapping a former settlement site) has been proving to be very usual, in Iberia as in other areas of Europe.
Sunday, February 25, 2007
Monday, February 12, 2007
The Bend of the Raia
Wednesday, February 07, 2007
Scale does matter


Pannels with hemicycles in Northumberland (UK)
The hemicycle (or horse-shoe) seems to be present, at different levels, in prehistoric carvings, buildings and landscapes.
Differently from the topographic model, which accepts the idea that some rock art motifs are like plans or maps of buildings or field limits
See http://www.rupestre.net/alps/img/fontmapp.jpg
http://www.rupestre.net/alps/img/fontmapp.jpg
http://www.mcdonald.cam.ac.uk/Projects/Chip/Chip212.htm
http://www.cambridge.org/us/catalogue/catalogue.asp?isbn=9780521524247http://www.uf.uni-erlangen.de/felskunst/rockarch.html
we sugest that rock art motifs, buildings and specific features on the landscape, were conceived as different scales to materialize abstract symbols.
The hemicycle in the landscape is, like the bends of the rivers/serpents, often connected with important ritual prehistoric sites.
The hemicycle, open to SE, connected with the Almendres
megalithic enclosure (Alvim, 2006)
The hemicycle related with the Carnac/Locmariaquer monuments
The hemicycle (green) centering the Xerez megalithic enclosure
Building Symbols in Alentejo

Vale d'El Rei megalithic enclosure

Er-Lannic megalithic enclosures

Stonehenge megalithic enclosure
The C (or horseshoe) plan of sites like Águas Frias (or Poverty Point) is also the usual setting of megalithic enclosures, in Central Alentejo and Brittany.
Rare in the British Islands, is also displayed on the unique site of Stonehenge; this has been argued to reveal some kind of relationship between Stonehenge and the Continental Europe, on Neolithic times.
Building symbols in Alentejo


The Late Neolithic settlement of Aguas Frias, in Central Alentejo, seems to display a symbolic architectonic plan which could be interpreted as a sintesis of the same symbols displayed on the two mississipian sites showed on the last posts: the semi-circular plan of the earthworks in Poverty Point and the snake-like plan of Serpent Mound.
Águas Frias has been interpreted as a settlement site, though it showed a very unique caracteristic which gives an extra symbolic dimension to the site: it is the only known "factory" of the highly symbolic shist plaques that caracterize the deposits in the alentejan dolmens (as well as in the areas around Alentejo).
Where are the limits between a settlement and a ritual site?
Building symbols

Old plan of the Serpent Mound

The Serpent Mound

Old plan of another serpent mound

Aligator Mound
Again in the USA, in the Mississipian world, the biggest representation of an almost universal icon: the serpent.
Note that the Serpent Mound describes a hemicycle, open to a small river.
In the same general area we can find other earthworks displaying animals.
Some related links: [link]
[link]
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